Split spines and broken joints

Conservation is continually informed by principles of minimal intervention in considering a treatment’s approach: finding solutions to problems that avoid loss of material and preserve as much of the original structure as possible. In the case of Crouch’s collection, many of the volumes have splits in the spine and detached boards.

The conventional solution would be to reback the volume: removing the original spine, and providing new linings and leather over the spine and onto the boards. This forms part of the board attachment and allows access to reinforce the sewing. Often the original spine is then re-adhered, however this is not always possible when the leather is in a very degraded condition.  Additionally, the introduction of layers of new material on the spine can affect the opening characteristics of small, narrow volumes. Loss of the original spine and the impact on the opening structure are strong arguments for finding an alternative solution.

Example of a detached left board, and split in the spine (Photograph by Nikki Tomkins)
Example of a detached left board, and split in the spine

It is often easier to lift just the label when the spine covering leather is highly deteriorated. This allows access to the spine where linings of Japanese paper and linen are applied. This not only consolidates weaknesses and break points in the spine, but also forms part of the board attachment.

Replacing the label (Photograph by Nikki Tomkins)
Replacing the label

Once the label is replaced, the treatment is less visually obtrusive than a reback. Textile and Japanese paper is also used at head and tail of the spine, where the leather is easier to lift. This technique is not as strong for the textblock as rebacking, but it does preserve most of the spine while still imparting considerably more structural strength. The final object is still fragile and should be handled with care, but the boards are reattached and the breaks in the spine are held together.

  1. Removal of the label in one piece, exposing the leather below
  2. Using a poultice of wheat starch paste, the leather and animal glue are scraped away exposing the backs of the sections.
  3. A first layer of Japanese paper is applied using wheat starch paste. This provides a protective barrier between the textblock and subsequent layers, and a primary layer to hold together the sections.
  4. Layer of textile adhered to bridge splits and consolidate the textblock, with extensions either side for the board attachment.
  5. Toned paper adhered, providing an extra layer while also matching the repair to the original covering leather. Textile and toned paper are also inserted at the head and tail of the spine to support the board attachment.
  6. The original label is adhered back in place, and the lining extensions adhered underneath the covering leather on the boards.

By Nikki Tomkins
Project Conservator