Household Words for our hard times

As Halloween approaches and we look around for tales of the uncanny to send shivers down spines, we might turn to Charles Dickens. There are supernatural happenings aplenty in the complete run of Household Words that Balliol has acquired through the generosity of alumnus, Michael Rhodes (matriculated 1958). Harry Daniels, studying for a DPhil in English at Balliol, reflects on the significance for our times of Dickens’ journal, both homely and unheimlich:

Balliol College Library has recently been gifted a complete run of Household Words, the weekly magazine edited and jointly owned by Charles Dickens from 1850 to 1859, which published works by Dickens himself, Elizabeth Gaskell, Leigh Hunt, George Meredith, Elizabeth Barrett Browning, and Harriet Martineau, amongst others. Though we must regret we cannot yet see the volumes in person, the sentiments behind Dickens’s venture might still afford us pause for reflection on our new life in ‘households’ within College.    

In recent weeks and months, the word ‘household’ has become a more familiar acquaintance of our lips, ears, and eyes than ever before. In the works of Shakespeare as much as Dickens (both authors being, of course, two of the most obvious examples of household names), the word stands for the most familiar. In Shakespeare’s play, King Henry V exclaims to his troops outside Agincourt that their ‘names’ will become ‘familiar in [the] mouth as household words’ after they succeed in France. But now, like the face of a childhood friend long forgotten when encountered by chance upon a street corner, the word ‘household’ has taken on a strange, uncanny guise as it now greets us out of the televised mouths of government. In Oxford, as in many places elsewhere, the necessary restrictions to deal with the coronavirus pandemic have grouped and divided us into corridor and staircase ‘households’. Perhaps like Pip at the end of Great Expectations, we find ourselves in a quasi-familial position to persons we had not quite expected to earlier in the year. 

Detail from the front page of Household Words, October 27 1855
Detail from the front page of Household Words from October 27 1855, published exactly 165 years ago.

But we might turn to the pages of Dickens, and in particular the sentiments behind Household Words, to work through the harder times of the period we’re now living through. While many of us have been barred from extensive travel (with many conferences cancelled and far-flung holidays forgone), Dickens teaches us to find pleasure and interest in the everyday, in what is already familiar to us. Dickens hoped that the magazine would ‘show to all, that in all familiar things, even in those which are repellent on the surface, there is Romance enough [sic], if we will find it out’, as he wrote in his ‘Preliminary Word’ to the publication.

Ghost-Music, a poem by Edmund Ollier, published in Household Words, September 29 1855.
Ghost-Music, a poem by Edmund Ollier, published in Household Words, September 29 1855.

Interest in all aspects of the everyday, as embodied by Dickens’ journal, is also reflected in the breadth of study and research that occupies members of the College. This set of books will be with the College community, to inspire and inform us, long after the current crisis is history. Just as Harry sees relevance today in Dickens’ nineteenth-century endeavour, future members of the College ‘household’ may find consolation, interest and amusement in these words and those of the other books kept in the Library for posterity.

Something in which we find ourself: A.C. Bradley on Inspiration

The Library has recently purchased A.C. Bradley’s manuscript of his lecture on ‘Inspiration’ – what is meant by it and what value it has to society.

 

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A.C Bradley studied at Balliol from 1868 having won an exhibition (a type of scholarship). He was elected a Fellow in 1874 and was a popular teacher in English and Philosophy. Balliol’s manuscript collections show Bradley’s involvement in the intellectual life and politics of the College during his time here; forming friendships with T.H. Green and R.L. Nettleship and earning the opposition of the Master, Benjamin Jowett. The latter is hinted at in Bradley’s entry in The Masque of B-ll—l, forty satirical poems about Balliol members printed as a broadsheet in 1881:masque-balliol-bradley

‘Inspiration’ was first given as an address in a Church in Glasgow, where Bradley was Regius Professor of English Language and Literature at the University from 1889. He held the post until 1901 when he returned to Oxford as Professor of Poetry. Bradley’s address formed the basis of the essay of the same name in his book, A Miscellany (MacMillan, 1929) [Balliol Library: 47 g 26 Ground Floor].

Throughout the manuscript, Bradley crosses out and rewrites as he tackles the question of what is meant by ‘inspiration’ in the secular context of poets and other thinkers. Bradley identifies three conditions of inspired thought. Firstly, that it is new; secondly, that it strikes the thinker as superior to their habitual thoughts; and thirdly that it should come upon them suddenly. He goes on to identify a paradox about the perceived origin of inspired thought which he feels is a point of comparison to religious inspiration:

“[inspiration] is something which we cannot attribute to ourself, it is given to us, and in it we lose ourself; that is the one aspect. It is something in which we find ourself, and are at last our true self; that is the other aspect.”

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The manuscript has been bound in boards covered with grey paper and contains the bookplate of Glaswegian publisher and bookseller James J. Maclehose, designed by Sir David Young Cameron. It joins other manuscripts by A.C. Bradley at Balliol including the rare survival of an undergraduate essay, with the title ‘Does Literature tend necessarily to decay?’ and academic papers on Shakespeare’s work, the area of criticism for which Bradley is most famous today.